This page is part of the 2016 Lane website archive, and is presented for historical reference only.

Course Outline: ENG 104

Faculty Resources - English:

Course Outline - ENG 104

COURSE TITLE:

INTRODUCTION TO LITERATURE

COURSE HOURS PER WEEK:

4

COURSE NUMBER:

ENG 104

Lecture:

4

COURSE CREDITS:

4

Lec/Lab:

COURSE PREREQUISITES:

NONE

Lab:

COURSE DESCRIPTION

This course will present to the student a wide range of fiction from various time periods and cultures. Course work will involve students in critical analysis, basic literary terminology, and concepts which will enhance appreciation of fiction. The course may include the short story, the novel, and/or the novella.

GENERAL COURSE OUTCOMES:

Upon successful completion of the course, students should be able to:

These outcomes will be verified by the following assessments:

Distinguish between connotation and denotation and demonstrate how the connotative language helps shape major points of a literary text (poem, story, play).

  1. Various written work: e.g., journals, response papers, critical essays, creative written work, research reports
  2. One of more of the following:
    • Attendance at a local speaker's event with a formal response to it.
    • Participation in class discussions.
    • Performance on quizzes and/or exams, which may include mid-term and/or final exams.
    • In-class participation such as reading aloud in class.
    • Group work.
    • In-class presentations.

Demonstrate an ability to read works of fiction at both a literal and figurative level.

See above.

Articulate familiarity with social and political perspectives on fiction, such as those that consider race, gender, ethnicity, nationality and sexual orientation.

See above.

Identify and define significant literary devices (such as plot, character, setting, theme and point of view) for the purposes of meaningful interpretation.

See above.

Demonstrate an appreciation of the power of fiction to create worlds.

See above.

Demonstrate an awareness of one's self and others as members of a culture

See above.

Demonstrate an ability to differentiate in works of fiction among significant elements (e.g., between short stories by the same or different authors, between short story and novel or film, between works of fiction from different literary-historical periods)

See above.

Interpret works of fiction within their contexts (e.g., literary/historical periods and influences, cultural and biographical background of authors, authorial intentions and critical reception)

See above.

Formulate and apply criteria that are appropriate to the context and genre of the literary text when evaluating works of fiction

See above.

Distinguish between unsupported responses and literary-critical judgment when evaluating works of fiction

See above.

Develop initial responses into literary-critical judgment

See above.

Use effective oral and written communication -- including at least one formal essay -- to express literary interpretations and evaluations -- developed independently and/or collaboratively

See above.

Produce a significant amount of interpretive and analytical writing using well-selected textual and other evidence

See above.

Utilize MLA, APA, or equivalent standard style sheet documentation when needed, and edited Standard American English

See above.

Course Outline by Major Topic:

Quite often this course will take a thematic approach making use of short stories and one or two novels representing writers with diverse perspectives (men and women from different ethnic groups and countries).

For example, one recent ENG 104 course included in its syllabus the following introduction and themes:

It all began with the first storyteller of the tribe.  He began to put forth words . . . to test the extent to which words could fit with one another, give birth to one another--in order to extract an explanation of the world from the thread of every possible spoken narrative and from the arabesque that nouns and verbs, subjects and predicates performed as they unfolded from one another" (Calvino, The Story and Its Writer197).

Our discussions in class will allow us to create a context, formulate assertions, and discover support for the answers to the central questions decided on by this particular class. To guide our discussions we will consider the human desire to continually create and understand a sense of ourselves in a particular time and place, which requires some understanding of our similarities and differences, including how and why we tell stories.  In this context we will explore why we come to literature with certain expectations, such as what makes an effective ending or a powerful visual image, and how each ending or image fulfills or alters those expectations.

Themes:
A Reader's Expectations
Struggles of Living and Dying

Assimilation & Alienation

How We Judge Others
The Constructions of Identity
The Experiences of Writing and Reading
Life Inside a Novel: The Power of Secrets & Stories.
What does It Mean to Be Different? 
Believing without Knowing
The Horrible Becomes Ordinary
Stories that Condemn and that Save Lives
Alienation & Understanding
The Storyteller
Stories & Legends

Some of the writers whose works have been studied in ENG 104 classes:

Chinua Achebe
James Baldwin
Kurt Vonnegut
Margaret Atwood
Isabel Allende
Albert Camus
Ralph Ellison
Gabriel Garcia-Marquez
Sandra Cisneros
Jamaica Kincaid
Raymond Carver
Ursula Le Guin
Tim O'Brien
Louise Erdrich
Leslie Marmon Silko
Stephen Crane
Ursula Heghi
Susan Minot
Herman Melville
Haruki Murakami
Flannery O'Connor
John Steinbeck
Franz Kafka
James Joyce
D.H. Lawrence
Nathaniel Hawthorne
William Faulkner
Doris Lessing
Sherman Alexie
Leo Tolstoy
Ha Jin
Charlotte Perkins Gilman
Zora Neale Hurston
Anton Chekhov